Travel Cup Haida Totems Cha’atl QCI by Emily Carr

$32.00

In stock

This travel cup or wine tumbler features one of the iconic Emily Carr images in the Royal BC Museum’s collection.  The vacuum insulated cup is crafted from 304 food-grade 18/8 stainless steel, and is therefore durable and shatterproof. All components are non-toxic, BPA free and environmentally friendly and won’t alter flavors. It is triple-insulated, which means is keeps your drink hot up to 3 hours and cold up to 9 hours.
The Royal Museum Shop is operated by the Royal BC Museum Foundation. All proceeds from the sale of merchandise go directly towards supporting the many fine programs and special events at the Royal BC Museum.

Description

Emily Carr (1871 – 1945) is recognized as one of Canada’s foremost artists and authors. Art studies led her to San Francisco, England and France, but she was claustrophobic in big cities and longed for the wilds of her west coast home, Victoria. On major sketching trips in 1912 and 1928 to isolated coastal villages Emily bravely battled privation, mosquitoes and rain, determined to produce a body of work that would direct and sustain her creative needs for years. Carr was unconventional, unapologetic, and memorable. She smoked, rode astride a horse, lived with pet rats, parrots, cats, dogs, and a monkey. Stories of her eccentric lifestyle live on, but her powerful artistic and literary interpretations of the coastal landscapes of her home, British Columbia, remain her lasting legacy.

The Royal BC Museum’s Emily Carr collection includes over 100 impressive paintings and a treasure trove of 1000 sketches and handicrafts—diaries, notebooks, scrapbooks, letters and manuscripts—making up the world’s largest collection of Emily Carr materials, one which spans her entire career. Included as well are a wealth of contextual pieces: photographs, research files and sound recordings of interviews and reminiscences. The Royal BC Museum is the proud steward of this exceptional collection, which offers a uniquely holistic view of Carr’s life and work.

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